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Gislebertus (12th century) Master of Cabestany (12th century) Master Mateo (12th century) Benedetto Antelami (active 1178-1196) Nicola Pisano (c.1206-1278) Giovanni Pisano (c.1250-1314) Arnolfo di Cambio (c.1240–1310) Giovanni di Balduccio (c.1290–1339) Andrea Pisano (1295-1348) Filippo Calendario (pre-1315-1355) Andre Beauneveu (c.1335-1400) Claus Sluter (c.1340-1406) Hans Multscher (c.1400-1467) Giorgio da Sebenico (1410-1473) Michel Colombe (c.1430-1512) Veit Stoss (c.1447-1533) Tilman Riemenschneider (c.1460-1531) Gregor Erhart (c.1460-1540).

The art of sculpture is no longer restricted by traditional sculptural concepts, materials or methods of production.

holograms) and mobile sculpture necessitate a redefinition of the possible forms.

Nanni di Banco (1375-1421) Lorenzo Ghiberti (1378-1455) Donatello (1386-1466) Luca Della Robbia (1400-1482) Antonio Rossellino (1427-1479) Antonio Pollaiuolo (1432-98) Andrea Della Robbia (1435-1525) Niccolo Dell'Arca (1435-94) Andrea del Verrocchio (1435-1488) Guido Mazzoni (1450-1518) Michelangelo (1475-1564) Alonso Berruguete (c.1486-1561) Jacopo Sansovino (1486-1570) Baccio Bandinelli (1493-1560) Benvenuto Cellini (1500-1571) Francesco Primaticcio (1504-1570) Juan de Juni (1507-1577) Germain Pilon (1529-1590) Giambologna (1529-1608) Jean Goujon (Active 1540-1563) Barthelemy Prieur (1536-1611) Adriaen de Vries (1560-1626) Stefano Maderno (1576-1636) Juan Martines Montanes (1568-1649) Francois Duquesnoy (1597-1643) Bernini (1598-1680) Alessandro Algardi (1598-1654) Alonso Cano (1601-67) Pierre Puget (1622-94) Francois Girardon (1628-1715) Antoine Coysevox (1640-1720) Grinling Gibbons (1648-1721) Balthasar Permoser (1651-1732) Andreas Schluter (1664-1714) Guillaume Coustou (1677-1746) Louis-Francois Roubiliac (1695-1762) Jean-Baptiste Pigalle (1714-1785) Etienne Falconet (1716-1791) Franz Xaver Messerschmidt (1736-1783) Joseph Nollekens (1737-1823) Clodion (1738-1814) Jean-Antoine Houdon (1741-1828) John Flaxman (1755-1826) Antonio Canova (1757-1822) Bertel Thorvaldsen (1770–1844) Francois Rude (1784-1855) Auguste Preault (1809-1879) Alfred Stevens (1817-75) George Frederick Watts (1817-1904) Pierre-Louis Rouillard (1820-81) Jean-Baptiste Carpeaux (1827-1875) Frederic Leighton (1830-1896) Jean Falguiere (1831-1900) Auguste Bartholdi 1834-1904 Auguste Rodin (1840-1917) Marius Mercier (1845-1916) Camille Claudel (1864-1943) Daniel Chester French (1850-1931)Three-dimensional art begins with prehistoric sculpture.

Arguably the greatest ever example of representational art.

For more about carving in China, see: Chinese Buddhist Sculpture (c.100-present).

During its history, it has attracted some of the world's greatest artists, including classical sculptors like Phidias, Myron of Eleutherae, Polyklitos, Skopas, Lysippos, Praxiteles and Leochares, as well as Donatello (1386-1466), Michelangelo (1475-1654), Giambologna (1529-1608), the great Bernini (1598-1680), Auguste Rodin (1840-1917), Henry Moore (1898-1986), Picasso (1881-1973), Constantin Brancusi (1876-1957), and Damien Hirst (b.1965).

Space is the air around the solid sculpture, and reacts with the latter in several ways: first, it defines the edges of the sculpture; second, it can be enclosed by part of the sculpture, forming hollows or areas of emptiness; third, it can link separate parts of the sculpture which thus relate to one another across space.

Works of sculpture can be assessed and differentiated according to their treatment of these two elements.

The earliest known works of the Stone Age are The Venus of Berekhat Ram and The Venus of Tan-Tan, both primitive effigies dating to 230,000 BCE or earlier.

Thereafter, sculptors have been active in all ancient civilizations, and all major art movements up to the present.Another important element of (most) sculptures are their surfaces.



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